Here are the design boards for my final collection ‘The Light Within Darkness’ with full colour illustration, working drawings, written detail and fabric swatches, all of which I created purely on the computor using Photoshop and Illustrator….
All of these designs are copyright to me, Samantha Beth Rounding, and should not be used or copied without my permission.
This was the mood board I created to help inspire me when designing my final collection, it contains all the key images from my sketchbook work that I found most inspirational and summed up my theme/style for this collection….
Here are some sketchbook pages from my Final Major Collection sketchbook which I used to inspire me during the design part of my final collection…
I created these patterns using Illustrator and had them Laser-Cut into different types of fabrics for samples in my Final Major Project, they are all inspired from the shapes found in different butterly wings and that was a main point of inspiration (along with Brian Froud’s Faeries) throughout my final collection. Heres a selection from my development;
All of these designs/patterns are copyright to me, Samantha Beth Rounding, and should not be used or copied without my permission.
Short post; here’s a mood board I had to create for my personal page in our year’s zine/programme that will be given out at our end of year fashion show, it’s meant to represent inspirations for me as a fashion designer/manufacturer and my final collection.
It was clear to me from the start of my final major project that I wanted a whimsical theme, my style is always quite feminine with a slight eerie feel and im always inspried by thing in nature. I have always loved the film Labyrinth and the look of the creatures, sets and ambience, so I decided to look into Brian Frouds artwork, specifically his faeries and I looked at a few of his books and my favourite was the Good Faeries and Bad Faeries book.
I love the contrast in his work of the innocent, beautiful faeries with the evil, uglier creatures. I was also really inspired by the contrast of the light, glowing almost angelic looking faeries again the dark, gothic background of the forest and it’s mythical creatures. All this has inspired the concept and theme for my final collection, which I have titled ‘The Light Within Darkness’, hopefully you will see in-direct evidence of this throughout my project as I upload more of my work on here.
Last September I began my sketchbook for final major project, I already had my theme and styles in mind which would best reflect me as a designer and manufacture, however I did look at some designer’s work that I admired for inspiration, that also linked in with my chosen theme. After a long summer of boring but hard work in a cafe to save money for uni, these images really helped me get back into my fashion work and bring out my creative passion again.
I love Marchesa’s use of incredible pattern cutting and drapery skills with textile techniques, this is the kind of mixture I like to try and achieve throughout my work as I enjoy both and feel it gives a more interesting finished garment. The colour palette and fabrics they use in their collections are very similar to what I tend to use in my work; I prefer a more natural, tonal colour palette with the clever use of a contrasting dark or brighter colour.
For me, Elie Saab is such an excellent and inspiring designer, his garments are so perfectly elegant and beautiful with a unique creativity about them I have fallen in love with every design, it was very hard to choose which to share. These are the sorts of pieces I aim to produce when I have my own label; beautifully finished, feminine evening wear that would be suitable for the red carpet, but with something a bit different about them, whether that be through pattern cutting or textiles techniques. The fabrics, colour palette and silhouettes are stunning so womanly with a slight vintage feel, I also love his use of lace and embellishments through his collections.
With this collection I love Lanvins use of fabrics, the way it drapes through panels on the body and then floats so beautifully from the waist, also the levels of density or sheerness he creates by using the same fabric but in different ways. I am always inspired by and use contrasts in my work and I feel he has shown effective contrasts in this collection; his mixture of drapery and sheer, floaty fabrics and silhouettes with the more tough, heavyweight metal and leather accesories adds more of a masculine, almost militarian feel to his otherwise quite typically feminine garments.